 |
 |
 |
|
|
|
|
|
Paul Zukofsky leads the Symphonieorchester des Bayerischen Rundfunks in the world concert premiere on a March 11 Musica Viva concert in Munich. The performance will be broadcast live on Bayern 4 Klassik.
More on Schnabel; more on Symphony No. 3
|
|
|
|
|
|
American composers of the mid-20th century, the soundworld of Latin America, and the cutting-edge voices of some of today's most exciting composers from around the world.
Highlights below are adapted from an essay by Frank J. Oteri.
|
|
|
|
|
Henry Cowell helped create Peermusic's classical catalog by selecting works by Charles Ives and many of the younger American composers of the day. In years following, Peermusic added to its collection works by landmark American composers such as Elliott Carter and Virgil Thomson. Highlights include Ives's The Unanswered Question, Carter's Elegy and David Diamond's Symphony No. 2.
|
|
|
|
|
Our catalog includes major figures from Mexico, the Caribbean, and South America, with works ranging over the last 100 years.
|
|
|
|
|
Peermusic Classical enters the new millennium with a roster of composers diverse in musical tradition and artistic background. In one genre in particular, Peer composers have sustained the tradition of American grand opera. In March of 2001, Tania León's opera The Scourge of Hyacinths was revived in three performances during the Festival Centro Historico in Mexico City with staging and designing by Robert Wilson, after seventeen performances in Europe at the the Grand Théâtre de Genève in Switzerland, the Opéra de Nancy et de Lorraine in France and the St. Pölten Festspielhaus in Austria. More recently, John Musto's comic opera, Volpone, was premiered by WolfTrap in March of 2004, and Scott Wheeler's Democracy, commissioned by the Washington National Opera with libretto by Romulus Linney, received its premiere in the nation's capital in January, 2005.
|
|
|
|
|
|